Okay, so this won't really be ironic. Please refrain from Alanis Morriset references while pointing out flaws in my use of the proper English language. The pertinent information is that I am a thorough product of my generation.
Unlikely but fun metal head that I am (I think headbanging-hippie was a well-coined term), I take great delight in exploring a most impressive CD collection, which was left in my foster care, while its owner resides in Boise. With this joy, comes a wondering at why it has taken me so long to appreciate some of the great metal classics. I'll take this moment to stroll through a recollection of my heavy music fandom.
Indeed, an enjoyer of the metal music I've been as long as I've

been grown enough to make conscious music choice. I think that happened somewhere around the time I heard my angsty teenage big brother listening to The Black Album (yes,
that Black Album), and decided that was the kind of cool I wanted to be. Then, once my own teenage discomfort hit, Korn was the primary order of the day, followed by the logical metal-fusion bands of the late 90s like RATM, Limp Bizkit (how however they spelled it), SOAD, Slipknot, and The Deftones. I sincerely apologize to anyone who's refined 90's music sensibilities are offended at my including all those bands in one sweeping generalization. I acknowledge it's an oversight, but it's sufficient for my low-level of musical snobbery.

College brought an added level of sophistication, as college tends to do. My tastes deeped into more symphonic black metal like Cradle of Filth, and Dimmu Borgir. Looking back, my exposure to that genre, as cherished as it was, was mostly through one person (like I said, isn't it always a guy?), and they faded from the front of my time and consciousness as he did. Though, I should note, both those bands and that lovely man still hold huge warm places in my heart, and will always simmer like dark, macabre, potpourri in the back burners of my mental existence.
The later college years called for something more trippy, as college tends to do, and I came to cherish the ear-gasm of combining the satsfying dark crunch of heavy guitar driven riffs with the "Du-Must-Danz-Now" throbbing pulse of good psytrance. (It doesn't work unless its through a German accent.) I'm always on the lookout for artists who do this consistently - X-Dream does occaisionally, as does GMS.
Old metal, I thought, was not quite dark enough for my metal sensibilities, not quite light enough for my hippie sensibilities, just not quite me....

Until Iron Maiden became my driving companion.
Seventh Son of a Seventh Son lasts exactly as long as a drive from Santa Monica to Simi Valley in medium traffic (which I do twice a week), and hasn't left my CD player for the last several weeks. I could indulge in a rant about why its just so good, but that's been done for decades, and I'm not sure I'd have anything to add to the totality of human knowledge on that front. What I do have is an admission. An admission that, despite my attempts at cooleness, I am a kid in my 20s in 2008.
My confession is this...
.
.
.
I can't listen to Bruce Dickinson's dramatic spoken verses, without hearing Jack Black.
There, I've said it.
Maybe it's because there are some Maiden songs in contention for the title of Greatest Song in the World... No, it couldn't be that. That was just a tribute.
It's just all the joy bubbling forth under the darkness. It could be Mr. Black has simply impersonated ole lovable Bruce Bruce in his stirring musical numbers, but that would be disappointing, and no fun, because it would invalidate my coming point entirely.
I think these men LOVE metal. And while I definitely could be giving The Tenacious half of the D way too much credit for comparing him to a legend of the genre, I can't help how my ears hear it. I think the melodramatic darkness is full of such enjoyment for both these crooners, that you can't help finding yourself simultaneously wanting to stir up a cauldron of fend-off-the-inquisition, and laugh at it's silliness. I think they do too. I think under all the silliness, and blood on stairs of famous relics, there's a boyish delight that can't help but spring out of the voices of these two men.
... or, I could just be brainwashed to hear everything through the filter of my decade's music. But I like my explanation better. Do you guys ever hear songs this way too?

"Rock music should be gross: that's the fun of it. It gets up and drops its trousers. " - Mr. Dickinson"There's nothing you can really do to prepare to rock. Do you prepare to eat a delicious meal? Are you hungry? Then you're gonna eat it. " -Mr. Black